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1993-1995
soprano, mezzo, baritone, viola, cello
durata: 
21'

commission: Daniel Coulet, artist
first performances:
parts I - III: 2 Octobre 1993 in Toulouse, la Chapelle des Carmélites,
Aino Lund, Marion Kilscher, Diane Schmela, Ladislav Szadhmary

parts I - IV: 15 Novembre 1993 at Festival d' Automne, Paris
Les Jeunes Solistes: Donatienne Michel-Dansac, Sophie Dumonthier,
Jean-Louis Georgel, Christophe Gaugée, Véronique Marin,
conductor: Rachid Safir

complete work I - VII: 4 December 1999 at Musikmuséet, Stockholm
Aino Lund, Katarina Böhm, Ulf Lundmark, Jonas Lindgård, Chrichan Larson conductor: Kjell-Inge Stevenson
publisher: Swedish Information Centre

CD: Madeleine Isaksson, Failles, PSCD 134
Kristina Hansson, Katarina Böhm, Michael Wenius,
Torbjörn Helander, Crichan Larson

Å svävare (Oh Hoverer) was composed on a commission from the artist Daniel Coulet and inspired by his fragile, high, and flora-like sculptures, especially two tall "tree sculptures" made of fiber: one, light and down-to-earth, like a huge mushroom with a massive, bent stem; the other, dark, slender, high, and "watching from a far", both installed at the subway station Mirail, in Toulouse.
The work, written for soprano, mezzo, baritone, viola, and cello, is in seven parts, which together form an upwards-striving bow, tense from the height and the fall from this height.
The texts, certain parts of which have been combined, consist of poems from different historical time periods: Wir sehen dich by Paul Celan, Llama de amor viva by Juan de la Cruz, Liebes-Lied by Rainer Maria Rilke, Entlich by Susanne Marten and Taktavla by Katarina Frostenson out of which the title Å svävare is taken:

" o Hoverer, the fall is an embrace"

Madeleine Isaksson (Translation : George Kentros)

CD: 
Failles
I

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IV

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